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The show has a special attention in being simple, but at the same time it is necessary to have a special attention in its own execution in order not to seem like an unnecessary anime. Generally these are episodes that do not add to the relationship of the characters or do not convey a message or empathy to the audience. As I said before, the show has moments that don't matter much. However, along with these elements, the anime needs to sustain its quality in being an anime, but this is where the show loses some of its excitement. It is a simple action, but one that makes this show a good company during the week. Yakunara shows a timid artistic manifestation, but at the same time it causes an interest to the public, from the moment the show does not take place entirely in a closed room, such as a club, but promotes actions such as walks in cities that have ceramics as a public representation in squares and sidewalks. Of course, each anime has its own goal, Olympia for example focuses on Greece, while Mashiro no Oto tries to convey a new perspective on Eastern musicality. Like Olympia Kyklos and the more recent Mashiro no Oto, Yakunara aims to herald a new vision in the culture and consumption of new cultural experiences from its country or region. Yakunara really has episodes that don't cause much interest in us, but it is a great show to show a small portion of Japanese quality. In fact, many belittle even the ability of a show to do 12 episodes of this without being boring or repetitive. Ceramics is a subject that is not appealing to everyone. And it is the audience, that is, us, the main character of this show. Over time, the show creates an appropriate and simple ambiance, using elements such as scenery, contemplation, and colors that harmonize and cause an approximation with the audience. All of them together go on to build a strong relationship with ceramics, regardless of the reason they were convinced to be in this club. This art only at school, when she joined a club with Naruse, Mika-chan and Tooko. In fact, Himeno had a greater appreciation for Himeno doesn't remember much of the past she had with her mother, not even with the ceramics she made. She was an excellent artist in this profession, which requires concentration, creativity, and especially innovation. In fact, her mother is the cause of this. The protagonist has an interesting past with ceramics.
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Himeno is the character that plays the key role in the construction and the sample of the show. After learning more about her mother's contributions to the club and the art form, Himeno asks her father for permission to join, which he gladly gives.Īlongside Mika and her childhood friend Naoko Naruse, Himeno enters the Pottery Club to continue her mother's beloved work and discover her own passion for the craft.Īh, Japan! What to think about its cultural beauties? This time pottery is the main theme of another honest and simple show, but one that deserves attention and care One person who immediately takes an interest is Mika Kukuri, an eccentric girl in Himeno's class who soon introduces her to Tooko Aoki, the president of the Pottery Club. Having moved back to the city recently following the bankruptcy of her father's company in Tokyo, Himeno brings some of her mother's mugs to her first day of high school in an attempt to make friends. However, her legacy lives on in the dozens of unique mugs that adorn the Toyokawas' new restaurant in Tajimi. Considered a legend in the world of pottery, Himeno's mother suddenly passed away when Himeno was four. The city of Tajimi is well-renowned for its Mino ware ceramics and being the hometown of Himeno Toyokawa's mother.